London Now I’m Not There

May 12, 2009

This has been inspired mainly by Thorsten’s post on the HPLL blog about his morning bus journey (on which I originally wrote this post as a comment), but it also ties in to some nostalgia from now being away from London for 7 months. Because amongst many things I miss of London, one non-person thing is, bizarrely, the Tube. I didn’t actually use it all that often in the last couple of years before I left but for some time, particularly when I lived over in Barnes, Hammersmith, I relied heavily on the Tube for getting to work in Old Street.

Despite being horrendously overpriced, I have quite an affection for the London Underground. I think because its so old: running on WWII technology and how it floods in heavy rain. Its so amazing that various parts of it were used as a huge bomb shelter in the wars. I’m forever impressed by the complicated yet grand, iconic status of the Tube map. I even love the strangely muted acrid stench underground, the mild claustrophobia, the dirt, the mice on the tracks, the sense of Victorian ghosts wandering silently about. I love that wild howl the trains make in the tunnels and the fact that some of them bounce about like old roller coasters. I can very easily remember the taste of the hot air rushing in through an open window in summer. There is no feeling quite like being alone on an underground platform late at night. But mostly I love the fact that being down underneath the Big Smoke reminds me of everything above it and all the experiences I have had there, and will again!’s


The Future Is On The Internet

March 25, 2009

Type any future date into Wikipedia and you will find out what is going to happen.

From the Wikipedia entry on 2010: “According to David Crystal, author of the Cambridge Encyclopedia of the English Language, the change of pronunciation to “twenty X” will occur in 2011, as “twenty eleven”, explaining that the way people pronounce years depends on rhythm, rather than logic. Crystal claims that the rhythm or “flow” of “two thousand (and) ten”, beats that of “twenty ten”, but the flow of “twenty eleven” beats “two thousand (and) eleven”.”


Kurt Vonnegut: 8 Rules For Writing Fiction

March 2, 2009

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.

2. Give the reader at least one character he or she can root for.

3. Every character should want something, even if it is only a glass of water.

4. Every sentence must do one of two things — reveal character or advance the action.

5. Start as close to the end as possible.

6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.

7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

Even if you’re not a writer, these are good rules to simply judge a book by.